Analysis of “I don’t like your irony” Nekrasov. “Poem by N. A. Nekrasov “I don’t like your irony...” (perception, interpretation, evaluation)

Nekrasov’s poem “I don’t like your irony...” stands out from the list of main topics on which the poet wrote. This is an intimate lyric that tells about the relationship between Nikolai Alekseevich himself and his beloved at that time, Avdotya Yakovlevna Panaeva.

The verse was written in 1850, five years after the beginning of the poet’s close relationship with Avdotya. Around this period, the first shoots of cooling appeared in their relationship, which Nekrasov writes about. The poem became available to the general public in 1855, when it was published in Sovremennik.

Main idea and theme

The main theme of Nekrasov's verse is the emergence of love in the past, its gradual dying in the present and the vision of complete cooling in the not-so-distant future. This is the story of two loving and beloved people who appreciate and value what they have between them, but who have come to the conclusion that the relationship has entered the stage of fading and can be terminated.

At the beginning of the work, the author admits his rejection of irony on the part of his beloved. The hero attributes such an attitude of his beloved to what he is doing as a sign of fading feelings and asks not to behave like that, because irony is the lot of those who have already experienced a period of intense attraction. He asks his beloved to prolong the feelings and passion that still exist in the relationship.

The second part of the verse is a clear demonstration of the behavior of the hero’s beloved and his own feelings. She is gentle and shy on dates, and she also wants them to last longer. He is full of jealous feelings and still burns with them. He asks his beloved not to bring the end of their relationship closer.

And, despite the requests, he already clearly sees the end, what is being discussed in the third part of the work. And this is precisely the culmination of the entire message. Emotions in the two of them, according to the hero, are boiling, but differently than at the beginning of the relationship. Now they are trying to quench the need for them, as if they were thirsty, greedily swallowing the remaining feelings. Meanwhile, in the heart there is already a growing melancholy and coldness of future alienation.

Structural analysis

The lyric poem “I don’t like your irony...” consists of three stanzas, each with five lines. The rhymes used by the author violate the seemingly strictly prescribed order, and thereby once again emphasize those contradictory feelings that are present in the poet’s soul. The contrasts contrasting each other enhance the impression. The passions in the heroes of the poem boil, but there is a secret cold in their hearts.

In the first stanza, Nekrasov uses a ring rhyme, in the second - a cross rhyme, and in the third he turns to a mixed one. In his stanzas, Nekrasov skips the stress, thereby conveying the excitement he experiences to the reader.

The emotional coloring is also very contrasting. Nikolai Alekseevich describes a number of experienced feelings tenderly and romantically: “ardently in love,” “shy and tender,” “full of thirst.” There is also negativity in the stanzas - these are “jealous anxieties”, “inevitable denouement”, “secret cold”.

Conclusion

In his work, the author sought to convey to the reader the idea that two loving people who have gradually come to the brink of separation, when the first calls about a cooling of feelings appear, should not rush to a final decision or draw hasty conclusions.

In addition to socially oriented poetry, in the soul of N. A. Nekrasov there was always a place for personal feelings. He loved and was loved. This was reflected in a group of poems that are commonly called the “Panaev cycle.” An example would be the poem “I don’t like your irony...”. The analysis will be given below, but for now let’s briefly get acquainted with his lyrical heroine.

Avdotya Panaeva

A charming, intelligent woman whom her parents hastily married off because the girl with all her soul strived for emancipation. She imitated trying to put on men's clothes and - oh, horror! - I painted on a mustache for myself! She was married to journalist Ivan Panaev, who was not distinguished by fidelity and did not restrict his wife’s freedom.

A brilliant literary society gathered in their salon, and every single one of them was in love with the beautiful and clever Avdotya Yakovlevna. But she responded, not immediately, only to the crazy, crazy feelings of Nikolai Alekseevich, who, not knowing how to swim, drowned before her eyes in the Fontanka. Thus began a great feeling that lasted about twenty years. But everything in the world comes to an end. And when feelings began to cool down, Nikolai Alekseevich wrote: “I don’t like your irony...”. The analysis of the poem will be carried out according to plan.

History of creation

Presumably it was written five years after the start of a close relationship in 1850, and published in Sovremennik in 1855. What could serve to cool such violent feelings? After all, A. Ya. Panaeva herself wrote poems about them. Let’s try to reflect on Nikolai Alekseevich’s lines “I don’t like your irony...”, the analysis of which is part of our task.

Genre of the poem

This is the intimate lyrics of a great civil poet.

The work talks about emerging feelings in the past tense, their state and the inevitable denouement and expected break in the present tense. Apparently, their relationship became habitual and monotonous and did not provide such abundant food for inspiration as civic poetry. Therefore, irony began to appear in the relationship on the part of Avdotya Yakovlevna, which only aggravated the coldness on the part of Nekrasov. This is how the poem “I don’t like your irony...” appeared, the analysis of which we begin. But the poet must be given his due; he directly and delicately told his chosen one what exactly he did not like about her behavior, without hiding anything.

The theme was the emergence of love, its gradual dying and complete cooling.

The main idea is that love must be carefully preserved, since this feeling is rare and not given to everyone.

Composition

ON THE. Nekrasov divided “I don’t like your irony...” into three stanzas. Naturally, we will begin our analysis of the poem with the first.

The lyrical hero speaks directly and simply to a close woman and asks her to stop using irony in conversations with him. Apparently, the sharp-tongued Avdotya Yakovlevna could not restrain herself when she did not like something, when she perceived in something a disrespectful or inattentive attitude towards herself. According to the lyrical hero, irony should belong only to those who have experienced their desires or have never encountered them. And in both of them, who loved so dearly, there are still little flames of love left, and they warm the soul. It is too early for them to indulge in irony: they must carefully preserve what they have today.

In the second stanza of the poem “I don’t like your irony...” Nekrasov (we are currently conducting an analysis) shows the behavior of his beloved woman. She still strives to extend their dates “shyly and tenderly.”

She, very feminine, is still devoted to him with her heart and cannot live without these meetings. And he? He is full of passion. The lyrical hero is still hot and ardent, “jealous dreams” are rebelliously seething in him. Therefore, he asks not to be ironic and not to speed up the outcome. She will inevitably come to them anyway, but let the beautiful relationship last longer.

The third stanza is completely sad. The poet does not hide either from himself or from his beloved that their separation will come soon. Their passions are heating up more and more. They are full of the last thirst for love, but “there is a secret coldness and melancholy in their hearts.” The lyrical hero bitterly states this fact. But you can’t hide from him anywhere. That’s why you shouldn’t destroy a former beautiful and languid, tender passion with irony.

Irony, which initially contains ridicule, offends the lyrical hero, which is why he says: “I don’t like your irony...”. Analysis of the poem shows the hidden context of Avdotya Yakovlevna’s statements and the direct, sincere words of the lyrical hero. He calls on his lady of his heart not to demonstrate his negative position for any reason or without reason, but to express sympathy and understanding to him.

Analysis of the verse “I don’t like your irony...”

The poem is written in iambic pentameter, but there are a lot of missing accents (pyrrhic). They convey to the reader the poet’s excitement. For example, the first line in the first stanza begins with pyrrhichium, and it ends with it, and is emphasized with an exclamation mark.

Each stanza consists of five lines, but the rhymes in each stanza are different. The poet uses ring (first stanza), cross (second stanza), mixed (third) stanza. The inner turmoil of the lyrical hero is fully manifested in this way.

The poem is built on contrasts. It contrasts cold and hot, boiling and glaciation. Metaphorically, love is compared to the raging stream of a river, “but the raging waves are colder...”.

After these final lines there is a significant ellipsis. The river is seething, but it will still freeze, and the cold will bind both of them, “who loved dearly.” The previous relationship, boiling with tenderness and passion, is metaphorically contrasted with “secret cold and melancholy.”

Epithets have a negative connotation: inevitable denouement, jealous anxieties, final thirst. Others, on the contrary, are positively colored: feelings are “rebelliously” boiling, the beloved is waiting for a date “shyly and tenderly.”

Epilogue

Nekrasov and Panaeva broke up. Then her husband died, then she lived alone, and after that she happily married and gave birth to a child. However, the poet loved Panaeva and, despite his marriage, dedicated his poems (“Three Elegies”) to her and mentioned her in his will.

I don't like your irony.
Leave her outdated and not alive,
And you and I, who loved so dearly,
Still retaining the remainder of the feeling, -
It’s too early for us to indulge in it!

Still shy and tender
Do you want to extend the date?
While rebelliousness is still boiling inside me
Jealous worries and dreams -
Don't rush the inevitable outcome!

And without that she is not far away:
We are boiling more intensely, full of the last thirst,
But there is a secret coldness and melancholy in the heart...
So in autumn the river is more turbulent,
But the raging waves are colder...

Analysis of the poem “I don’t like your irony” by Nekrasov

The poem “I don’t like your irony...” is included in the so-called. “Panaevsky cycle” by Nekrasov, dedicated to A. Panaeva. From the very beginning of the novel, the poet's position was ambiguous: he lived with his beloved and her husband. Relations between all three were naturally strained and often led to quarrels. They worsened even more after the early death of Panayeva’s first child from Nekrasov. It became clear that the romance could no longer continue in this form. Nekrasov’s love for Panaeva did not weaken, so he experienced constant torment. The poet expressed his feelings and thoughts in the work “I don’t like your irony...” (1850).

Nekrasov, in an attempt to maintain a love relationship, turns to his beloved. He urges her to abandon the irony that is increasingly taking possession of Panaeva. The child could have cemented their relationship, but his death only increased the woman’s hostility. Nekrasov appeals to the beginning of the novel, when love was still strong and equally possessed the souls of the lovers. All that was left of her was a “remnant of feeling,” but thanks to it, the situation can still be corrected.

From the second stanza it is clear that Nekrasov himself anticipates the “inevitable denouement.” The relationship lasts about four years, has already resulted in the birth of a child, and the poet describes it in terms related to the origins of the novel: “a date,” “jealous anxieties and dreams.” Perhaps by this he wanted to emphasize the freshness of the feelings he was experiencing. But with such a long period of time, “freshness” is out of the question. It just indicates the fragility and ease of relationships.

Artistically, the final stanza is the strongest. Nekrasov himself firmly states that the outcome is “not far away.” When describing the state of the relationship, he uses a very beautiful comparison. The poet compares the dying feeling to an autumn river, which before hibernation is very stormy and noisy, but its waters are cold. Nekrasov also likens the remainder of passion to the “last thirst,” which is incredibly strong, but will soon disappear without a trace.

The poem “I don’t like your irony...” shows the full force of the suffering Nekrasov experiences. His premonitions were correct, but they did not come true immediately. Panaeva left the poet only in 1862, immediately after the death of her husband.

Poem by N.A. Nekrasova “I don’t like your irony...” refers to the so-called Panaev cycle, the poems of which are inspired by the relationship with V. Ya Panaeva and form a single lyrical diary, reflecting all the shades of the feelings of the lyrical hero.

The poem relates to love lyrics and reflects a moment in a person’s inner life, his experiences, therefore there is no detailed description of events that have a beginning and ending, complex interaction of characters, plot motivation, therefore the poem begins without any “overture”:

I don't like your irony

Leave her outdated and not alive,

And you and I, who loved so dearly,

Still retaining the remainder of the feeling -

Still shy and tender

Do you want to extend the date?

While rebelliousness is still boiling inside me

Jealous worries and dreams -

Don't rush the inevitable outcome.

The second stanza is very emotional. Anaphora contributes to this. The repetition of the word “yet” at the beginning of two lines receives a significant emotional load and enhances the parallelism of the structure of each sentence and its expressiveness.

In the last stanza - the culminating one - the lyrical hero evaluates the relationship with his beloved woman as a fading “boiling” dictated only by the “last thirst”, and in the heart there is actually “secret coldness and melancholy” ... "

So in autumn the river is more turbulent,

But the raging waves are colder...

The poem “I don’t like your irony...” truthfully and accurately conveys the complex process of mental life, hence the intense drama of the lyrical confession.

We, readers, know Nekrasov better as a singer of people's suffering, as a poet who dedicated the “lyre” to “his people.” In the analyzed poem, he appears from a completely different perspective, very unexpected, and this once again confirms that Nekrasov’s poetry is firmly connected with the classical tradition, and in the words of literary critic V.V. Zhdanov, she “inherited Pushkin’s clarity of expression of thought, and sometimes Pushkin’s style.”

Composition

N. Nekrasov's lyrics are largely autobiographical. In a series of poems addressed to his wife Avdotya Yakovlevna Panaeva (“I don’t like your irony...”, “Struck by an irrevocable loss.”, “Yes, our life flowed rebelliously.”, etc.), the poet truthfully reveals his emotional experiences:

I suffered: I cried and suffered,

The frightened mind wandered in conjectures,

I was pitiful in severe despair...

The lyrical hero does not soften or smooth out his own contradictions and torments, trying to analyze his innermost feelings:

And you and I, who loved so dearly,

Still retaining the remnant of feeling, -

It’s too early for us to indulge in it!

In love lyrics, the hero takes the blame for the onset of cooling, painfully repents of the breakup of relationships, tragically experiencing the suffering of his beloved woman:

Jealous worries and dreams -

This moral height of feeling, the intense drama of experiences became a new page in Russian lyric poetry. Irony, subtle, hidden mockery are concepts alien to true love. And Nekrasov, being “a man of high nobility of soul,” who values ​​the moral principles of real relationships, does not allow irony in the feelings awakened between a man and a woman. He gives it the status of a sign of the pre-final stage.

Having experienced victories and disappointments, at the age of thirty-nine, Nekrasov puts mutual understanding and sincerity in one of the first places in relationships. The poet puts these thoughts into the words of his lyrical hero. The latter talks with his beloved, realizing that feelings, the boundaries of which were violated by irony, are difficult to revive.

And is he trying to do this? The hero wants to convey to his chosen one that people who have the most precious thing in the world - life - should not waste it on empty words that only bring disappointment:

I don't like your irony

Leave it obsolete and unlived,

And you and I, who loved so sincerely,

It’s too early for us to indulge in it!

He personifies his feelings with the element of fire, blazing with a hot, all-consuming flame, but continues to “loved passionately,” namely, “loved,” and not “loving.” This means that there is no longer love between the heroes of the poem, only a “remnant of feeling” remains from it, and everything else is filled with passion, which is also destined to leave:

Still shy and tender

Do you want to extend the date?

While rebelliousness is still boiling inside me

Jealous worries and dreams...

Dreams of overcoming relationships, jealous anxieties of losing them - that’s all that fills the hero’s heart, but this is not enough for love.

Everyone sees different things under this concept, and I think it would be naive to rely only on one’s own point of view. The Bible says that love involves self-sacrifice. But in this situation there is no question of this, every man for himself. The lyrical hero thinks only about not losing the source of pleasure, and therefore the denouement becomes inevitable:

Don't rush the inevitable outcome!

And without that she is not far away...

The lyrical hero understands perfectly well that the end of the relationship is inevitable, and nothing can be changed. He does not try to renew the relationship, because his mind knows that, now or later, the outcome is the same:

We are boiling more intensely, full of the last thirst,

But there is a secret coldness and melancholy in the heart...

So in the autumn a raging river,

But the raging waves are colder...

Empty words, the fruits of irony, generated by the lack of true feelings... They cause melancholy, resentment, one of the most powerful sins - despondency. They, like a litmus test, reveal the true picture of feelings, like a wise fortune teller, they talk about what will happen next.

Fifteen lines told us the story of two people who have lost love, confuse high feelings with passion and clearly see the approach of separation.